The final piece in the series presents a back view of Anna Kidd’s suspended form, captured mid-air in an inverted pose. Her body is tightly bound — legs tucked, arms restrained — revealing the structure and symmetry of the rope work from behind.

Only Dany Dayze’s forearms are visible, reaching up from below to support her, offering a subtle but essential reminder of the trust that underpins the scene.

The marbled paint flows downward from Anna’s body into his touch, a visual echo of energy, care, and interdependence.

This canvas closes the series with stillness and strength — a final gesture of support, and a quiet reminder that being held doesn’t always need to be seen to be felt.